Check out my exclusive interview here with the Sicilian natural winemaker everyone is talking about, Arrianna Occhipinti!
Ciao for now,
Sheila
Check out my exclusive interview here with the Sicilian natural winemaker everyone is talking about, Arrianna Occhipinti!
Ciao for now,
Sheila
I have some choice wines sitting in my basement ‘wine cellar’, not to keep as an investment, but to enjoy, and feed my curiosity, of seeing what wine will be like when it is aged up to its prime moment.
This weekend I broke out a 2001 Chianti Classico Riserva, Badia a Passignano by Antinori. This Chianti claims to use grapes from the best vineyards of the Chianti Classico DOCG area. Plus it won the top Tre Bicchieri evaluation from Gambero Rosso, so long ago that I did not find a write-up on it online, except for this in italian!
Opening up the wine, it was already showing its age, with the cork breaking in half and showing markings of mold on its label:
The first thing I noticed when pouring was the orange tint to the ruby red color, making me concerned that maybe I waited too long to open it up. Fortunately, when taking my first sniffs of the wine, I did not smell anything ‘bad’, although, at first, it didn’t have a bouquet that really spoke to me. So I waited patiently for a half hour to let the wine breath and warm up a bit. Sure enough, the bouquet opened up, like a timid child who you meet that initially runs to its mother and then, after patience and persistence, starts talking to you a mile a minute. I started to notice an earthy aroma, like a vegetable garden, and then I smelled mature fruit, like prunes aged in alcohol, then spices, like vanilla, then tobacco, eucalyptus and dark chocolate, even shoe leather! The more I explored, the more I discovered. This was becoming an adventure!
When tasting, the tannins were nicely mellowed, yet still very much present, so I could have even aged it more. With the aging, the typically harsh features of an important red wine like this had mellowed out with the softer aspects, making it well balanced. And the finish lasted for so long, that I could still feel it in my mouth after 15 minutes.
So, I think I like this strategy of experimenting with aging wine. It is almost like I am an extension to the wine producer, making a great wine even better!
Ciao for now,
Sheila
As a follow-on from my Linkedin blog post on global wine business trends from Vinitaly 2017, here are some highlights from my tasting expeditions at Vinitaly:
Being an American, my formative years in wine appreciation were based on full bodied wines, like California chardonnays. Hence I lean towards more mature and developed white wines. One that fits the bill is this blend of 3 italian native grapes, Malvasia Istriana, Ribolla Gialla and Friulano, called Lalinda from a producer in Northeastern Italy La Tunella. This wine recently was garnered with the prestigious Tre Bicchieri rating from Gambero Rosso:
I had the pleasure of meeting Franco Roero and his son Gianluca from Piedmont
whose Barbera d’Asti Superiore, Carbunè, was fruity, robust yet enveloped my mouth in a seductive way… quite complex for a wine which was not even matured in wood. This wine is also a favorite with the locals. If you are in NYC on April 24th, I will bring a bottle to taste at the wine tasting that Veritas Studio Wines is having that evening.
Last but not least, I tried the fantastic Taurasi wines of the producer Roberto DiMeo
in Avellino area, which is in the hills east of Naples. Taurasi is an acclaimed red wine made from the native grape variety, Aglianico. It’s one of my favorite italian red wines, spicy, rich and intense. I personally liked the 2008, as well as the Aglianico from 2013. He also makes great white wines. You gotta try Vittorio 2007, made from the Greco di Tufo, another native grape variety. It is very complex and balanced, a feat for an unoaked white wine!
Ciao for now,
Sheila